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1995.written.by.goran
A great year! The
stage was truly stunning! It was strange as it
featured eight masterpieces and the same number
of pieces of crap. I have so much trouble with
keeping my list the same. Numbers 5-7 are far too
low for the entries from Sweden, Denmark and,
especially, France. All of the top 8 entries
deserved to be in the top 3! However, I chose
Norway, Spain and Croatia since they were the
ones which occupied those positions on my list
before I heard all the songs again. They, to me,
are the most memorable. At one point, I had a
four-way tie at my number-one-position (the way
Noah first saw my review). I changed than now. I
still feel sorry I did, but it was unfair to the
other entries ... Sweden, Denmark, France and
Israel also deserved to be at number one ... this
isn't the last time I say that.
1. Poland
It did sound a little rusty at times, and it may
have sounded better if not played by an
orchestra. However, it is very underrated.
Fifteen points were nowhere near enough for it.
Not as good as To nie ja, but pretty
damn good anyway ... 8/10
2. Ireland
This is the type of song Frank Sinatra could have
sung. It would probably be one of his lesser
efforts, but it's really not a bad entry.
Probably better than most Irish entries. That
doesn't sound like saying much, but, in this
instance, it's meant solely as a compliment. I
really like it and I find it hugely underrated.
It is so much better than some of the Irish
winners. 7.5/10
3. Germany
Not the worst entry of the year and one of the
better German entries over the years, but, then
again, German entries really have been terrible
(1994 being a rare exception). The beginning was
great, the performance was OK, and definitely
deserving of more than one point. 5/10
4. Bosnia-Herzegovina
Not the worst song of the night, but definitely
one of the duller entries this year. There was
nothing wrong with the performance on the night,
but (and this should be clear by now) ballads
performed by male vocalists have never attracted
my attention. 4/10
5. Norway
Aah, I get goose bumps when I only think about
how much I hated this song when it won. Now, not
only have I grown to adore it, but it features in
my all-time top 20 too! As do many other entries
of the year, but more about that later. Quite
possibly the greatest almost-instrumental song
which I have ever heard (especially when it comes
to ESC). The music is perfect for some top-class
Hollywood powerhouse production, but it couldn't
have received an Oscar as it would have been
adapted (I do carry on and on about some trivial
things). It would have been ruined by any more
lyrics and the very few it features are as
beautiful as any other (especially when it comes
to ESC), in any language! 10/10
6. Russia
He looked so repellent. That is the main reason
that this didn't score better than it did.
However, if you shut your eyes and try to listen
to the song, it really isn't too bad. Yet, I hate
this type of song and this is definitely my least
favourite Russian entry. 4/10
7. Iceland
A good ballad, which, like the year's Turkish
entry, may have sounded better (to me) in another
language. An adequate performance sold it off,
but it really should have been a little faster to
appeal to a larger audience. Even then, maybe ...
Dull. 3.5/10
8. Austria
It scored extremely well for an Austrian song,
even though it probably shouldn't have. It's
nothing special, but the jazzy elements, to me,
make it sound much better than it is. Still, it
really isn't any better than average. If you ask
me, it should have been somewhere down the
bottom. However, I don't recall the performance,
so I could be missing something. 3/10
9. Spain
My definite favourite of the time has managed to
hold that position despite formidable competition
from sooooooo many songs this year (my Top 7 are
all in my all-time top 30). I was so upset during
the first half of the voting when this wasn't
doing as well as I hoped it would, and was on the
verge of tears, when, towards the end, the host
announced that it had no more chances of winning.
It was a spectacular vocal performance, even
though she was clearly too nervous. Yet, it
remains a classic and the best Spanish entry
ever. 10/10
10. Turkey
Simply unfortunate. The song is very good, but
not only was the performance weak, but the
Turkish language doesn't go too well with this
type of music and it wasn't exactly complemented
by the orchestra. Still, the ethnic Turkish songs
are much better. 4.5/10
11. Croatia
This used to be my tied favourite of the year
(along with Norway, Greece and Spain). Simply
stunning in every respect, it was the first truly
classic Croatian entry and the first chance we
got to see Danijela perform at the ESC. The
performance was brilliant and deserving of an
even higher ranking. I hope Magazin get at
least one more chance to sing at the ESC. Even
with a new vocalist (who is also very talented
and has a similar voice), their songs have
remained wonderful and they should have won Dora
at least on another two occasions. 10/10
12. France
This can possibly be classified as the song which
receives my highest bonus points this year simply
because I love the French language. It did very
well, but it probably wouldn't have with
televoting, which makes jury voting a good thing
(not that it wasn't a good thing in the first
place). Even though I liked this song since the
first time I heard it, it has grown on me. It's
almost sensational. I'm beginning to find it
inspiring and pleasantly repetitive. 10/10
13. Hungary
Interesting, but not exactly appealing. Somehow
strangely, I actually like it a little, though it
gets predictable towards the end. What a blow for
Hungary, coming second last after their fourth
ranking from the previous year. That song was
much better ... that's an understatement. 3.5/10
14. Belgium
In this instance, I hold double prejudice towards
the year's Belgian entry, because not only is it
a male-vocalist-performed ballad, but I didn't
get a chance to hear it all for the second time
(I didn't pay any attention to it the first time
around). Yet, I feel that I heard enough and it
is simply an average effort. 4/10
15. United Kingdom
Pretty modern, but not exactly my type of song.
It's nice, but, alas, a little too sugary (though
not in the usual 'love and peace forever'-way).
Judging from the audio version and some other
people's opinions, the orchestra must have ruined
it. 4/10
16. Portugal
Since it's Portuguese, the weak ranking is
explainable, even though it really isn't a bad
song. The orchestra did make it sound a little
out of date and his vocals aren't exactly
attractive, but, still, it isn't such a bad song
... or is it? 4/10
17. Cyprus
Not quite perfect, but very good nonetheless.
Alex sang much better this time (in comparison to
his terrible performance in 2000), but, I
thought, the song wasn't as good as the
subsequent Nomiza, but those two
shouldn't be compared as they really don't have
too much in common. I find this one to be very
overrated, as opposed to that other one. However,
it grew on me. I still find it inferior to most
of the Cypriot entries that followed though. 8/10
18. Sweden
An exemplary male-performed ballad. It scored
well and it deserved to. Along with Carola's
glorious 1991 winning effort, this is, by far,
the best of the Swedish entries and one of the
best songs of 1995. If only it was in another
year, it would probably have been at number one
on my list. Unfortunately, I didn't even notice
it at the time, probably due to the seemingly
inadequate performance (which was more than
adequate). Like the other (surprisingly great)
Scandinavian entries of the year, this doesn't
fit well in the ESC. 10/10
19. Denmark
Denmark is one of my less favourite
ESC-countries, but I truly adore this song. It's
been haunting me for a while now. Scandinavia
really did well this year, on my list as well as
on 'that official list' and Denmark has rarely
done this well on my list (along with the other
Scandinavian countries). It deserved to be in the
top 5. Like Sweden, it hasn't had enough time to
grow on me. Yet, it does make it difficult for me
to compile my top 10 list. I keep playing this
and Se på mig over an over, all the
time. And I do mean ALL the time. 10/10
20. Slovenia
I loved it at the time (it was my favourite at
one point of my life), but really grew tired of
it. However, that was a great performance and
this is the quintessential ESC-ballad. Probably
the first truly great Slovene entry (I am one of
the rare few who also likes their '93 debut), it
is better than Svajger's song from ESC'99, which
really wasn't too bad itself. 8/10
21. Israel
Along with Spain, my favourite at the time, only
this one has gone down a little on my Top 23
list, but its rating has remained the same. The
performance was adequate, but a little annoying
since the Israelis keep using that same
stage-plan, with the back-up vocals approaching
the front of the stage as the song reaches its
climax. 10/10
22. Malta
A lousy accent and an unnotable song. My least
favourite of the evening by far, the fact that
Malta is among my less favourite ESC-countries
really did make sense after this. They have had
good entries though. This may be their worst
ever, and yet it got in the top 10, while Greece
didn't (actually, any other song was more
deserving of a spot in the top 10). Am I the only
one who wants them to send songs in Maltese (even
though I love Desire)? 2/10
23. Greece
As good as its Serbian adaptation (by the sublime
Lepa Brena, definitely one of my favourite
performers ever!), this is my favourite Greek
entry, and yet another one of those which would
have ranked at the top of my list in any other
year (during the 90s). The performance was nice,
and this is definitely one of the most underrated
ESC-songs. 10/10
TOP 23:
1. Spain
2. Norway
3. Croatia
4. Greece
5. Sweden
6. Denmark
7. France
8. Israel
9. Cyprus
10. Slovenia
11. Poland
12. Ireland
13. Germany
14. Turkey
15. Bosnia-Herzegovina
16. Russia
17. Belgium
18. Portugal
19. United Kingdom
20. Iceland
21. Austria
22. Hungary
23. Malta
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